Learn the skills behind the scripts of your favourite films and productions, including structure, character, dialogue and more. Learn to critique genres and theoretical approaches – before lifting your pen and unleashing your inner scriptwriter.
Your upfront cost: $0
- 26 Aug 2019
- 31 Aug 2020
Swinburne University of Technology leads the way with innovative and new ways of teaching, learning and thinking. It offers a wide range of study options, from pre-apprenticeships, undergraduate, postgraduate and PhDs, including online degrees with Open Universities Australia. Swinburne is known for career-oriented education and encouraging lifelong learning.
After successfully completing this subject, you will be able to:
- Assess and critically reflect on a range of scriptwriting platforms, forms, and genres for stage and screen, and also investigate theoretical approaches to scriptwriting.
- Demonstrate high level creative and practical skills in the production of their scripts, specifically in relation to the writerly elements of plot, character, dialogue, and structure, and apply complex critical and creative theories related to the practice of scriptwriting to their own work and the work of others.
- Generate a section of script from plan to final draft and create both industry standard supporting documentation and complex reflexive theorisations about their practice and project, and the practice and projects of others.
- What makes a good scripted story
- Building the plotline, including backstory, core story, forward story
- Characterisation and dialogue
- Writing for stage
- The pitch and outline
- Professional layout
- Embedded Multimedia
- Online assignment submission
- Printable format materials
- Audio-Video streaming
You cannot enrol in this subject if you have successfully completed any of the following subject(s) because they are considered academically equivalent:
No special requirements
Students will investigate the art of visual storytelling and explore a range of techniques for the creation of story elements such as structure, character, dialogue, adaptation and layout. The subject also explores how cultural and critical theories offer frameworks for understanding film, television and multimedia.
Please note: Assessment values are indicative only; details will be advised at the start of the subject.
- Outline, script sample, pitch (60%)
- Weekly Discussion Threads (12) (40%)
Textbooks are not required.
Textbook information is pending.